[…]This work both irritates and amuses, makes us think yet leaves us indifferent […] Instead of a victorious athletic body, it presents one that is awkward and immobile. Instead of sanitisation, it offers changing moods, sweat and body hair. In the face of increasingly technical and scenic excess (ever more costumes, lights and decor) it resists all attempts to mediatise dance, and purges the production to a maximum. It plays on slowness as opposed to speed, and on a murmur as against resounding noise. […]